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Front Row |
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Mezzanine |
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Laurie F. Lieberman |
Balcony |
Bonnie Vozar Keshet Lisa & Lee Bloom |
Performing Wagner has been unofficially banned in Israel since the creation of the State because he was a cultural touchstone of Nazism. But could Wagner’s music transcend the anti-Semitic views of its creator? When Ya’akov, an Israeli conductor, announces he will play Wagner in the finals of the Esther Greenbaum International Conductors’ Competition, Esther, a Holocaust survivor, must face a moral dilemma: whether the trauma of the past justifies stifling the future of young talent. Buried memories, nightmarish dreams uncovered — Ya’akov and Esther, aided by Morris, the competition organizer, viscerally argue their opposing points of view from Tel-Aviv, the Berkshires, and Brooklyn. Across the COVID-plagued world and across historical, ethical, and personal domains, will they be able to hear each other The playing of Wagner in Israel remains highly controversial to this day.
In Partnership with Illinois Holocaust Museum